Through a thoughtful interview, the acclaimed performer reflects on topics ranging from her newest character as Queen of the Cuttlefish to the profound lessons gleaned from onstage mishaps and fan interactions.
Your latest character portrays the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would it be and why?
Without hesitation, the blue groper residing near Clovelly beach â since it is a local landmark, and people go there to see it. I just think as remarkable that thereâs a local fish that folks genuinely seek out and discuss â it holds a unique status.
Which movie do you repeatedly watch, and why?
The 1942 film To Be Or Not To Be. I love this picture. During my childhood, it used to come on television occasionally, and one time I recorded it. I just thought it was hilarious. Itâs the legendary Carole Lombard and Jack Benny. Recently they were playing it at a cinema and I discovered that it was the preferred movie of a friend of mine, and so we attended and simply chuckled repeatedly. Itâs such great piece of comedy and the entire cast in it are superb. Mel Brooks did a remake in the 1980s â that wasnât successful. But Lubitsch's version is a brilliant comedy, to be watched regularly.
Whatâs the best lesson you learned from someone youâve worked with?
I was doing A Dollâs House with Pete â now my spouse, but back then we were not a couple. We portrayed characters opposite each other and during the premiere I stumbled â I jumped ahead a few lines in the script. I didnât know of my error but I suddenly realised something wasnât right. I recall looking at him, and he expertly rescued the moment, and then the scene regained momentum and proceeded splendidly. However, I believe the insight gained then was, first, always trust the individuals in your scene. When you lose where you are, if you turn around and toward the actors youâre with, you can rediscover where youâre meant to be somehow. Itâs such collaborative endeavor, performing live. And secondly, to maintain a sense of fun about it. Occasionally when something goes wrong, things actually spark off in a really great direction if youâre fully engaged then. It can be an unexpected boon when things go absolutely the wrong way.
Can you describe your most memorable encounter with a fan?
Itâs not just one specific meeting but when I meet fans of Lord of the Rings, particularly women, I am told numerous stories about what Eowyn impacted them when they were younger ⊠things that had happened in their lives and how much that character meant to them and was some kind of help to them in those times.
Which questions get asked about the most by Lord of the Rings fans?
The most detailed question is always about that infamous meal her character prepares for Aragorn. âDid that stew taste really that bad?â Itâs become such a joke, the whole thing about the stew, and all fans wish to know what was in the stew, and its preparation method, and do you think her skills improved now, or do you think she really is a bad cook? People are, I think, fascinated by the humour of that scene. And I go into lengthy descriptions describing the ingredients that constituted the stew â because I remember what they did; like they even adding pieces of colored thread to make it look like blood vessels in the meat. The crew employed great detail to render it as unappetizing as they could.
Whatâs been your most cringeworthy run-in with a famous person?
I was at a fitness session and another participant on a mat doing pilates, and the teacher said to me, âOh, Miranda, this is Miranda.â And I made a lighthearted remark inquiring, âoh, are you a journalist?â Since Miranda is an unusual name and often when someoneâs a Miranda, theyâre a journalist. I wasnât really identified her. And when she got up, it was Miranda Richardson. At that point, I didnât know what to say. I was obliged to complete my class, and I felt so embarrassed. I wished to explain: âOh my gosh, I am aware of your work!â I consider her talent is immense and I was just too starstruck to utter a syllable.
Articles have repeatedly stated that you were given your name from Prosperoâs daughter in Shakespeareâs The Tempest, and yet you've mentioned you saying otherwise â can you settle the matter definitively?
Indeed, I was named after the Sydney suburb. Mum heard on the radio that they were opening a shopping centre at that location, and she thought sounded like a nice name.
Whatâs the most chaotic thing thatâs ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the least organized set Iâve ever worked on, and yet the film emerged incredibly well. But they just work in such a different way. The sense of time there is unique. Typically, you normally have a call sheet and you have to be on set punctually. But this was rather flexible â one would appear whenever you happen to be ready. It was a novel approach for me. The elements were all coming together at the final moment, and at times they wouldnât know the next location or how we were going to do it. And then youâd be in during a scene and be like, âWhat caused that sound that just interrupted the scene? Ah, it was the producer opening a bottle on set, because heâs making a party.â It turned out excellent, but goodness, itâs a really different approach to film-making.
Do you have a secretly good at?
Iâve always been an aptitude for numbers. I memorise numbers more readily than I learn dialogue a lot of the time, Iâve just got that kind of a brain. So I think had I not ended up in acting, I probably would have entered a field involving numbers, like math or accounting.
Whatâs the best piece of advice you have ever received?
During my time in high school, a speaker came to speak when we were graduating and they said, âhave no fear to failâ ⊠an idea I consider is the best piece of advice, because you learn so much more from setbacks than is gained from triumph. With success, one rarely comprehends precisely why it happened. Failure, you learn so much more.
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